

67-68, 27-58, either could be a swell of a multitude of change with different parameters. There's no need for expressing the difference of today's sampler/synths over those hardware oldies. So as long as a velocity of 67 to 68 contains some change, then the condition or request to see such change is valid. I see erwinindigne1 answered some points further about his usage from each velocity step, but my take on the whole usage of one velocity note to another in one step intervals is purely change does in fact occur in an older hardware synth (lets say late 80's) no matter if it's multi sampled, filtered, enveloped, pitched, oscillated, etc. "Īnd possibly not.we don't know even how subtle the layered samples might be. Will they sound different? If it's a multisample with multiple velocity layers and a new layer starts at velocity 68 -> then definitely.
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Jazzundso wrote: "Take any patch in your Ensoniq or EMU modules and play a note at velocity 67. In which you stated "'Really? Which old hardware synth/sampler is that responsive in terms of velocity?"Īt least on my behalf, I'm not questioning the resolution of sampler/synths or modelling now used, of which we all know is much higher. My point was strictly to your response to erwinindigne1 I also recorded a little too hot being over excited with a new guitar purchase. My bad because it's the only song giving me trouble.

I think due to a little too much shuffling of tracks in unorthodox ways, and also some unexplained audio aliasing. I had a huge snag with a song crashing in Studio One. Hi jazzundso, Sorry for the delayed response. I'm sort of surprised at your question, but I could be missing something. They all were not grouped to some lesser resolution output, and I could meter and see those differences always. That would be: (samplers shown only)Įnsoniq Mirage, (original version I still own. As to old hardware, every synth or sampler I've ever owned read and outputed the same 128 velocity. Since the inception of MIDI, 128 (0-127) has been the velocity value allotted.
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